Monographs:

• Haunted Dreams: Fantasies of Adolescence in Post-Soviet Culture (Cornell University Press, 2022).

• Women with a Thirst for Destruction: The Bad Mother in Russian Culture (Northwestern University Press, 2014).

​

Edited Volumes:

• Screening Russian Youth, Studies in Russian and Soviet Cinema 17 (2023). 

​

Articles:

• "'One Foot in the Grave’: Pregnancy and Folk Culture in Recent Russian Films,” Studies in Russian and Soviet Cinema 16 (2022) [Honorable mention, 2023 Heldt Prize for Best Article in Slavic, East European, and Eurasian Women’s and Gender studies].

• “The Ghost of Adolescence Past: Teen Female Martyrs in Svetlana Vasilenko’s Little Fool and Anna Melikian’s Mermaid,” Slavic and East European Journal 63 (2019), 52–73.

• “Imagining Adolescence in Selected Works of New Russian Drama,” Modern Language Review 113 (2018), 194–220.

• “Vasilii Sigarev’s Post-Soviet Dramas of the Provincial Grotesque,” The Russian Review 75 (2016), 477–97.

• “A Mother’s Land: Arina Petrovna Golovlyova and the Economic Restructuring of the Golovlyov Family,” Slavic and East European Journal 53.4 (2009), 545–65.

• “Theatrical Motifs and the Drama of Everyday Life in the 1920s Stories of Mikhail Zoshchenko,” The Russian Review 65 (2006), 470–90.

​

Book Chapters:

• “The Woman Question,” in Chekhov in Context, ed. Yuri Corrigan (Cambridge: Cambridge University Press), forthcoming, 2023.

• “Madonna on the Field of Battle: Searching for Mary in Isaac Babel’s Red Cavalry,” in American Contributions to the 16th International Congress of Slavists, Belgrade, August 2018, volume 2: literature, ed. Judith Deutsch Kornblatt (Bloomington, IN: Slavica, 2018), 121–29.

• “Mothers of a New World: Maternity and Culture during the Soviet Period,” in Gender in Twentieth-century Eastern Europe and the USSR, ed. Catherine Baker  (London: Palgrave Macmillan, 2016), 81–95.

• Editor/academic advisor for “Mikhail Saltykov (1826–1889),” in Nineteenth-Century Literature Criticism, vol. 322, ed. Lawrence J. Trudeau (Detroit: Gale, Cengage Learning, 2016), 225–324.

• “The Burden of Superfluity: Reconsidering Female Heroism in Anton Chekhov’s The Seagull,” in The Twilight of Realism: Russian Writers and the Fin-de-siècle, eds. Katherine Bowers and Ani Kokobobo (Cambridge University Press, 2015), 126–41.

• “The ‘Angelic Little Image’ Falls from Grace: Adam’s Rib and the Reimagining of Maternity,” in Beyond Little Vera: Women’s Bodies, Women’s Welfare in Russia and Central/Eastern Europe, Ohio Slavic Papers, vol. 7, eds. Angela Brintlinger and Natasha Kolchevska (Columbus, OH: Ohio State UP, 2008), 55–71.

​

Reviews and Translations

• Review of Anne Eakin Moss, Only Among Women: Philosophies of Women in the Russian and Soviet Imagination, 1860–1940 in Slavic and East European Journal 65 (2021).

• Review of New Russian Drama: An Anthology, ed. Maksim Hanukai and Susanna Weygandt (New York: Columbia University Press, 2019), in Slavic Review 79 (2020).

• Review of Barbara Evans Clements, A History of Women in Russia: From Earliest Times to the Present (Indiana University Press, 2012) in Slavic and East European Journal 58 (2014), 175–76.

• Review of Ellen Rutten, Unattainable Bride Russia (Northwestern University Press, 2010), in Slavic and East European Journal 55 (2011), 96–98.

• Translation of Evgeny Dobrenko, “Socialist Realism,” Cambridge Companion to the Twentieth-century Russian Novel, eds. Evgeny Dobrenko and Marina Balina, (Cambridge University Press, 2011), 97–113.

​
 

​
 

​